Russian & Soviet Composers - Part 3
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Re: Russian & Soviet Composers - Part 3
Hello everyone, I have posted on my website an interesting old Kiev publication from the 1890s. - this is the piano fantasy on the theme of the Zaporozhye folk song, author Vladislav Zaremba:
https://starinnye-noty.ru/запорожская-песнь/
https://starinnye-noty.ru/запорожская-песнь/
Dmitry
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Re: Russian & Soviet Composers - Part 3
My thanks also.
In addition to a few Zaremba works posted on the forum in past years, there is a plentiful selection on Polona where he is known as Władysław Zaremba
https://polona.pl/sets?searchCategory=o ... ight=false
In addition to a few Zaremba works posted on the forum in past years, there is a plentiful selection on Polona where he is known as Władysław Zaremba
https://polona.pl/sets?searchCategory=o ... ight=false
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Re: Russian & Soviet Composers - Part 3
Can someone give a comparison of Boosey/H Rach 2 and 3, and sonata 2 with the new Henle Urtext edition of same works?
Specifically, how does the new MA Hamelin edition come in comparison?
Taking away the fingering suggestion, what about the text itself? Has there been great changes?
Was thinking hard whether to purchase the Henle.....i seems to feel a more comfortable layout from the quick look at the music shop, but they are really expensive to buy in Asia.
Specifically, how does the new MA Hamelin edition come in comparison?
Taking away the fingering suggestion, what about the text itself? Has there been great changes?
Was thinking hard whether to purchase the Henle.....i seems to feel a more comfortable layout from the quick look at the music shop, but they are really expensive to buy in Asia.
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Re: Russian & Soviet Composers - Part 3
A new transcription of Rachmaninov Symphony No.2 Third Movement by Hayato Sumino (aka "Cateen")
PDF download in the video description
Check his channel for other goodies such as his 10 levels of I got rhythm (9 variations on a theme of Gershwin)
PDF download in the video description
Check his channel for other goodies such as his 10 levels of I got rhythm (9 variations on a theme of Gershwin)
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Re: Russian & Soviet Composers - Part 3
Thanks for this. Cateen/Hayato Sumino is new to me.
Smeister's Henle-esque covers made me laugh.
Smeister's Henle-esque covers made me laugh.
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Re: Russian & Soviet Composers - Part 3
Hello Pianophiles!
I came across one of Gennady Lukinykh amazing pieces called Reflection. This was superbly played by Gamma, video released a couple years ago. Since I first listened to it, this has been playing endlessly in my head...am basically walking about in complete daze. Does anyone have the musicsheet for this beautiful piece and willing to share? Thank you.
I came across one of Gennady Lukinykh amazing pieces called Reflection. This was superbly played by Gamma, video released a couple years ago. Since I first listened to it, this has been playing endlessly in my head...am basically walking about in complete daze. Does anyone have the musicsheet for this beautiful piece and willing to share? Thank you.
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Re: Russian & Soviet Composers - Part 3
Tracy
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- celibidacheanenthusiast
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Re: Russian & Soviet Composers - Part 3
Hello everyone!
Has anyone ever come across the 5 etudes Op. 22 by Nikolaeva? All traces of their existence are but a YouTube recording of the first of the set in E flat by the composer herself and a brief mention on her memorial website, yet I'm fairly certain of their publication at some point. I tried contacting Nikolaeva's heir regarding her music and it seems that a great deal of material was misplaced during the process of donating her personal scores and manuscripts to museums.
Thanks,
C.E.
Has anyone ever come across the 5 etudes Op. 22 by Nikolaeva? All traces of their existence are but a YouTube recording of the first of the set in E flat by the composer herself and a brief mention on her memorial website, yet I'm fairly certain of their publication at some point. I tried contacting Nikolaeva's heir regarding her music and it seems that a great deal of material was misplaced during the process of donating her personal scores and manuscripts to museums.
Thanks,
C.E.
C. E.