Neither my fingers nor my feeble brain will permit me to play those two opening bars as intended by Liszt, so here's a 'cheating' way of getting round the problem.soh choon wee wrote: ↑Fri Apr 23, 2021 11:25 am I like to ask a question on Transcendental Etude no 10, appassionata, on the interlocking chords....
Most (i would think all) will play with left hand over right hand......(and the prescribed fingerings)
Question, is this the only solution? Are there alternatives?
Thanks.
(recently, i had a student who somehow find it awkward with conventional fingering.... and find interchanging the hand more manageable........ His hand is quite muscular, and short fingers, not the long slender ones.....)
At low speed, it seems OK, but i am hesitant should i suggest him to adopt the conventional fingering...... i have no idea how it will turn out some months later when he play full speed....
Liszt
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Re: Liszt
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Re: Liszt
There seem to be numerous old editions in libraries and a new edition here: https://www.rugginenti.it/website/it/ed ... -de-venise
Or you could extract it from a score video:
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Re: Liszt
You could try the one on Walter Cosand's site:
http://waltercosand.com/CosandScores/Co ... 20S561.pdf
http://waltercosand.com/CosandScores/Co ... 20S561.pdf
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Re: Liszt
I am quite aware that this thread is slowly becoming a score request thread but I have a request: Does anyone have a better quality score of the Grande fantaisie sur des motifs de Niobe S.419? The scores on IMSLP are a bit hard to read
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Re: Liszt
Score requests are fine, so don't worry about that.
Regards
Fred
Regards
Fred
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