Frédéric Chopin

Piano, Fortepiano and Harpsichord Music
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fleubis
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Re: Frédéric Chopin

Post by fleubis »

Klindworth & d'Albert's suggestion of an additional to the left hand melodic line borrowed from the right hand is something that comes naturally from just playing it, but these two editor's have made a point of notating it. In my case it only became obvious after decades of playing it. Too bad I learned from Urtext!
alfor
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Re: Frédéric Chopin

Post by alfor »

Para el Sr. fleubis:
Chopin editado por el Sr. Cortot.

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Chopin Polonaise-Fantaisie ed. Cortot.pdf
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fleubis
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Re: Frédéric Chopin

Post by fleubis »

Alfred, thank you very much for the Cortot edition of the Polonaise-Fantasia. Cortot seems to have a lot to say--(if in fact they are his words instead of his students!) At any rate, the suggestions contained therein are very interesting and useful. I am taking the time to use Google translate for help on many of the interesting comments in this score. The Polonaise-Fantasia is one piece I know I will never, ever be completely satisfied with in terms of my own performance so I appreciate the additional infos I can glean from great editions, like Cortot's.

Much appreciated, dear Alfred.
alfor
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Re: Frédéric Chopin

Post by alfor »

Dear Sr. fleubis,

you are welcome!

P.S. Wie findest Du meinen neuesten „Horo-Witz“?
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fleubis
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Re: Frédéric Chopin

Post by fleubis »

Dear Alfred, of course I have ALL the Horowitz recordings, but I prefer Rubinstein and I have most of his recordings also. With Horowitz, I often get quite sidetracked by the incredible detail (and I think so did Horowitz) that the architecture gets lost, and I feel that is the case of his performance of the Polonaise-Fantasy. I enjoy the music so much more with Rubinstein at the keyboard--especially in Chopin. (Again I should state: IMHO.)
phikfy
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Re: Frédéric Chopin

Post by phikfy »

fleubis wrote:Dear Alfred, of course I have ALL the Horowitz recordings, but I prefer Rubinstein and I have most of his recordings also. With Horowitz, I often get quite sidetracked by the incredible detail (and I think so did Horowitz) that the architecture gets lost, and I feel that is the case of his performance of the Polonaise-Fantasy. I enjoy the music so much more with Rubinstein at the keyboard--especially in Chopin. (Again I should state: IMHO.)
Agree with Fleubis. But I would like to add Richter's recording as my favorite too, for his profundity.
alfor
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Re: Frédéric Chopin

Post by alfor »

fleubis wrote:Dear Alfred, of course I have ALL the Horowitz recordings, but I prefer Rubinstein and I have most of his recordings also. With Horowitz, I often get quite sidetracked by the incredible detail (and I think so did Horowitz) that the architecture gets lost, and I feel that is the case of his performance of the Polonaise-Fantasy. I enjoy the music so much more with Rubinstein at the keyboard--especially in Chopin. (Again I should state: IMHO.)
Dear fleubis, dear phikfy,

I generally agree!


P.S. I did NOT post the Polonaise-Fantasy!!
Last edited by alfor on Fri Dec 13, 2013 5:22 pm, edited 2 times in total.
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alfor
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Re: Frédéric Chopin

Post by alfor »

Two more polish dances:

alfor scan

Chopin Polonaises op.26 ed. Kreutzer.pdf
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fleubis
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Re: Frédéric Chopin

Post by fleubis »

Thank you, Alfred. I haven't played these two polonaises in years, and Kreutzer's pedaling indications give me something new to think about, even if the fingering is rather obvious. It is nice to play through these again after their absence on my piano for many years. This nice HIRES scan comes through beautifully on my monitor.
alfor
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Re: Frédéric Chopin

Post by alfor »

¡Gracias! ¿Estoy publicando exclusivamente para el Sr. fleubis?

Sind meine Bemühungen keinen Kreu(t)zer wert??!!

alfor scan:

Chopin Bolero, Tarantelle ed. Kreutzer.pdf
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