Seconded! Had a blast playing through these little pieces of history this afternoon. Next week I'll work on pronouncing his name!Ferruccio wrote:This is great !!
Thank you so much for this huge amount of Tsfasman !!
Best wishes, Ferruccio (amateur pianist)
School of Syncopation - Jazz, Stride, Novelties & the Like
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Hello Fleubis,
Given the intensity of your fingering discussions with Alfor I'd have thought you could count !
Technically it should be "thirded" !
Just a little espieglerie - no offence intended.
regards,
tobyjj
Given the intensity of your fingering discussions with Alfor I'd have thought you could count !

Technically it should be "thirded" !
Just a little espieglerie - no offence intended.

regards,
tobyjj
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Thank you for those Tsfasman!!! I love it!caostotale wrote:For the sake of completeness, here are two other volumes of Tsfasman, including mostly the same works as the previous post and a few other works (such as the Samba)
Alexander Naumovich TSFASMAN
Dancing Music, dance pieces (15), for piano (Recreational Music - Library for the Amateur Pianist) (1984)
By the way do you have Tsfasman Jazz suite? It's really impressive. Pletnev played on Verbier 2013.
http://www.youtube.com/watch?v=1eKUlwjsyPI
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Thanks for the video. It's incredible that Pletnev would play Tsfasman...1989128 wrote:Thank you for those Tsfasman!!! I love it!caostotale wrote:For the sake of completeness, here are two other volumes of Tsfasman, including mostly the same works as the previous post and a few other works (such as the Samba)
Alexander Naumovich TSFASMAN
Dancing Music, dance pieces (15), for piano (Recreational Music - Library for the Amateur Pianist) (1984)
By the way do you have Tsfasman Jazz suite? It's really impressive. Pletnev played on Verbier 2013.
http://www.youtube.com/watch?v=1eKUlwjsyPI
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Hello,
I'm not so sure I agree, there is after all nothing wrong with the music itself.
In fact I have often wondered how some of the classical greats would have responded to the modern idioms if free of their indentured restraints. I believe Mozart would have been an amazing jazz improviser if his social and financial circumstances had allowed / demanded it.
Faure would have been an amazing cocktail, atrium performer with a little bit of left shoulder and a hesitant right hand.
Rachmaninov would have out-strided and out swung the best of this forum's icons. Forget 10ths - try 18ths, without rolling them !
Some of the most popular "American musicians - pianists" were classically trained immigrants, who were only trying to make a living and who might never have been heard of if they had persisted in conventional performances and music tutoring in the classical vein.
regards,
tobyjj
Hmm,phikfy wrote:
Thanks for the video. It's incredible that Pletnev would play Tsfasman...
I'm not so sure I agree, there is after all nothing wrong with the music itself.
In fact I have often wondered how some of the classical greats would have responded to the modern idioms if free of their indentured restraints. I believe Mozart would have been an amazing jazz improviser if his social and financial circumstances had allowed / demanded it.
Faure would have been an amazing cocktail, atrium performer with a little bit of left shoulder and a hesitant right hand.
Rachmaninov would have out-strided and out swung the best of this forum's icons. Forget 10ths - try 18ths, without rolling them !
Some of the most popular "American musicians - pianists" were classically trained immigrants, who were only trying to make a living and who might never have been heard of if they had persisted in conventional performances and music tutoring in the classical vein.
regards,
tobyjj
- Scriabinoff
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Interesting little work by Hans Barth.
Like before, I am visiting another spot so my scanner does not behave like my regular one, if anyone wishes to crop and clean up the score (short, 2 pages of music + 1 cover), I know we would all sincerely appreciate it.
Like before, I am visiting another spot so my scanner does not behave like my regular one, if anyone wishes to crop and clean up the score (short, 2 pages of music + 1 cover), I know we would all sincerely appreciate it.

You do not have the required permissions to view the files attached to this post.
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
The score came out good--I had to guess at the cover:Scriabinoff wrote:Interesting little work by Hans Barth.
Like before, I am visiting another spot so my scanner does not behave like my regular one, if anyone wishes to crop and clean up the score (short, 2 pages of music + 1 cover), I know we would all sincerely appreciate it.
You do not have the required permissions to view the files attached to this post.
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Hi,tobyjj wrote:Hello,
Hmm,phikfy wrote:
Thanks for the video. It's incredible that Pletnev would play Tsfasman...
I'm not so sure I agree, there is after all nothing wrong with the music itself.
In fact I have often wondered how some of the classical greats would have responded to the modern idioms if free of their indentured restraints. I believe Mozart would have been an amazing jazz improviser if his social and financial circumstances had allowed / demanded it.
Faure would have been an amazing cocktail, atrium performer with a little bit of left shoulder and a hesitant right hand.
Rachmaninov would have out-strided and out swung the best of this forum's icons. Forget 10ths - try 18ths, without rolling them !
Some of the most popular "American musicians - pianists" were classically trained immigrants, who were only trying to make a living and who might never have been heard of if they had persisted in conventional performances and music tutoring in the classical vein.
regards,
tobyjj
I said it's incredible because to my impression, I never heard Pletnev playing anything jazzy. It really amazes me when he actually does.

Koon
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Wow, Pletnev wrote a Jazz Suite years ago!phikfy wrote:I said it's incredible because to my impression, I never heard Pletnev playing anything jazzy. It really amazes me when he actually does.![]()
Koon
http://www.youtube.com/watch?v=Uf08LC0F8Yw
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Re: School of Syncopation - Jazz, Stride, Novelties & the Li
Cool, never knew about this before. Thanks for letting me know the other side of this great pianist.1989128 wrote:Wow, Pletnev wrote a Jazz Suite years ago!phikfy wrote:I said it's incredible because to my impression, I never heard Pletnev playing anything jazzy. It really amazes me when he actually does.![]()
Koon
http://www.youtube.com/watch?v=Uf08LC0F8Yw