I tried ...emzett wrote:Hello to all,Duirton wrote:
For Isokani: not count absolutely for the help by Daniele Lombardi. I've already try to require the his help (not yesterday, but for years!) not only for Lourié but also others scores. He have refused to send me anything!; and this when he reply at the mail (which happens VERY rarely...).
Duirton
in case of Lourié I could recommend to contact the Lourié-Society (http://www.lourie.ch/), Mr. Hulliger is very helpful.
best regards, emzett
Russian & Soviet Composers - Part 3
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Re: Russian & Soviet Composers - Part 3
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Re: Russian & Soviet Composers - Part 3
And the last section so far cleaned by Parag.....and the remainder of the "K"s. Unfortunately with this batch there are several composers where I have been unable to locate any biographical information.........I would be grateful to any member who is able to throw any light on these - or any of the "unknown" - Russian composers we have posted.
Kornikov D - no further information known on this composer.
Trois Preludes Kornilov I – no further information known on this composer.
Elegie (Valse) Mark Isaakovich Korsounsky [Korsunsky] – no further information known on this composer.
Op 1 Trois Morceaux [1. Moment Muscial 2. Etude 3. Impromptu] Koslov H – no further information known on this composer.
Op 9 Moment musical a la Schubert Op 11 Etude Nikolai Razumnikovich Kochetov [Kotchetoff]. Born 1864, Oranienbaume: died ? Composer, conductor and musical reviewer. Originally studied law at Moscow University, following a musical education independently. Studied counterpoint with Laroche and instrumentation with Erdmann. Graduated in 1889 and worked in law until 1893, when he then began to dedicate himself to music.
From 1886 worked as a music critic for several publications, and from 1895 as a conductor, including promoting summer symphonic concerts in Moscow (1900 & 1901). He taught in a number of music schools, and from 1906-20 taught in the synodal school. In 1921 was one of the creaters and organisers of the Institute of Music Science (HYMN). He composed an opera “Terrible Vengence” based on a story by Gogol; Arabian Suite for orchestra Op 3 (1893), Symphony in E minor Op. 8 (1894-5), Symphony No. 2 (1911), music to the tragedy ‘Polotsk Razorenie’ Op 7 (1895) [later published as Suite No. 2], Piano Concerto (1922), Waltz-Serenade for string orchestra; for piano - Op 5, Op 9 ‘On the bosom of Prirodi’, Op 11 Esquisses Orientale, Op 12, Op 13 Trois Morceaux, Op 14 Impromptus, Op 31 & Op 43; and twenty-four romances [Op. 1 (5), 2, 4, 6, 15, 16 (5), 18 (6)]. A number of his works were never published.
Op 7 A la Balalaika [from Suite No. 2] Op 11 Esquisses Orientales Op 13 Trois Morceaux [1. Dumka 2. Berceuse 3. Chanson] Op 31 Valses Miniatures [6 pieces] Kotov P - no further information known on this composer.
Op 1 Six Morceaux Lyriques Malcolm & Parag
Kornikov D - no further information known on this composer.
Trois Preludes Kornilov I – no further information known on this composer.
Elegie (Valse) Mark Isaakovich Korsounsky [Korsunsky] – no further information known on this composer.
Op 1 Trois Morceaux [1. Moment Muscial 2. Etude 3. Impromptu] Koslov H – no further information known on this composer.
Op 9 Moment musical a la Schubert Op 11 Etude Nikolai Razumnikovich Kochetov [Kotchetoff]. Born 1864, Oranienbaume: died ? Composer, conductor and musical reviewer. Originally studied law at Moscow University, following a musical education independently. Studied counterpoint with Laroche and instrumentation with Erdmann. Graduated in 1889 and worked in law until 1893, when he then began to dedicate himself to music.
From 1886 worked as a music critic for several publications, and from 1895 as a conductor, including promoting summer symphonic concerts in Moscow (1900 & 1901). He taught in a number of music schools, and from 1906-20 taught in the synodal school. In 1921 was one of the creaters and organisers of the Institute of Music Science (HYMN). He composed an opera “Terrible Vengence” based on a story by Gogol; Arabian Suite for orchestra Op 3 (1893), Symphony in E minor Op. 8 (1894-5), Symphony No. 2 (1911), music to the tragedy ‘Polotsk Razorenie’ Op 7 (1895) [later published as Suite No. 2], Piano Concerto (1922), Waltz-Serenade for string orchestra; for piano - Op 5, Op 9 ‘On the bosom of Prirodi’, Op 11 Esquisses Orientale, Op 12, Op 13 Trois Morceaux, Op 14 Impromptus, Op 31 & Op 43; and twenty-four romances [Op. 1 (5), 2, 4, 6, 15, 16 (5), 18 (6)]. A number of his works were never published.
Op 7 A la Balalaika [from Suite No. 2] Op 11 Esquisses Orientales Op 13 Trois Morceaux [1. Dumka 2. Berceuse 3. Chanson] Op 31 Valses Miniatures [6 pieces] Kotov P - no further information known on this composer.
Op 1 Six Morceaux Lyriques Malcolm & Parag
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Re: Russian & Soviet Composers - Part 3
Thank you!! I have a very good feeling towards Kotchetoff. Keep up the good work.
Re: Russian & Soviet Composers - Part 3
At your situation, I would not be too sure...!
I've already tried to contact the Lourié-Society; but Mr. Hulliger have refused to send me the Op.13, and for the Op.40 has invented that had not the score.
Have refused to send me also -Dialogue- that is only two pages.
The explication is absolutely ridiculous; Mr. Hullinger SAY that had signed an document at the NYPL in which said that the scores were only for the Lourie-Society...(!!) The NYPL can not oblige nobody at keep exclusively for the personal use one score; otherwise it give not at disposal of those who ask. Is a manuscript, not have a copyright. So much so that the scores are posted on PP.
I could add other things, but is better if I stop here...
I would found more respectful for me if Mr. Hulliger said me: no, I want not give the score to you, instead to invented thousand untruth...
Duirton
I've already tried to contact the Lourié-Society; but Mr. Hulliger have refused to send me the Op.13, and for the Op.40 has invented that had not the score.
Have refused to send me also -Dialogue- that is only two pages.
The explication is absolutely ridiculous; Mr. Hullinger SAY that had signed an document at the NYPL in which said that the scores were only for the Lourie-Society...(!!) The NYPL can not oblige nobody at keep exclusively for the personal use one score; otherwise it give not at disposal of those who ask. Is a manuscript, not have a copyright. So much so that the scores are posted on PP.
I could add other things, but is better if I stop here...
I would found more respectful for me if Mr. Hulliger said me: no, I want not give the score to you, instead to invented thousand untruth...
Duirton
emzett wrote:Hello to all,Duirton wrote:
For Isokani: not count absolutely for the help by Daniele Lombardi. I've already try to require the his help (not yesterday, but for years!) not only for Lourié but also others scores. He have refused to send me anything!; and this when he reply at the mail (which happens VERY rarely...).
Duirton
in case of Lourié I could recommend to contact the Lourié-Society (http://www.lourie.ch/), Mr. Hulliger is very helpful.
best regards, emzett
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Re: Russian & Soviet Composers - Part 3
As far as I can see only this page is missing from op. 13mballan wrote:From what I can see
Op 13 is likely missing two pages from the 5th piece....if we can hopefully obtain those suspected missing pages.
Malcolm
br emzett
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Re: Russian & Soviet Composers - Part 3
a question for the lourie cognescenti: the work list on http://www.lourie.ch/lourie features op. 14 "syntheses" (1914) and op. 16 "delires (syntheses)" (1914). are these indeed two distinct works? and for "rojal’v detskoj/piano gosse" there appear to be different editions with 7 vs. 8 pieces ... anybody been able to compare those?
many thanks,
vv
many thanks,
vv
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Re: Russian & Soviet Composers - Part 3
An interesting point vvedenskij.....officially they appear to be two separate works but I've only ever seen Op 16 so can not verify if different. Be very curious to see if anyone has Op 14 to compare ?vvedenskij wrote:a question for the lourie cognescenti: the work list on http://www.lourie.ch/lourie features op. 14 "syntheses" (1914) and op. 16 "delires (syntheses)" (1914). are these indeed two distinct works? and for "rojal’v detskoj/piano gosse" there appear to be different editions with 7 vs. 8 pieces ... anybody been able to compare those?
many thanks,
vv
As for "rojal’v detskoj/piano gosse" the standard edition included just 7 pieces......whilst the Schirmer edition apparently had 8 pieces [and I've listed all 8 in my "book" in the Information section]. I've only actually seen the 7 piece version to date.
Malcolm
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Re: Russian & Soviet Composers - Part 3
thanks, malcolm,
seems like 7 of the "rojal’v detskoj/piano gosse" pieces are identical, based on the bilingual titles ... (although the french "translation" of the russian titles appears rather imaginative) ... and your book, of course, has been a source of endless fascination for me ...
best,
vv
seems like 7 of the "rojal’v detskoj/piano gosse" pieces are identical, based on the bilingual titles ... (although the french "translation" of the russian titles appears rather imaginative) ... and your book, of course, has been a source of endless fascination for me ...
best,
vv
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Re: Russian & Soviet Composers - Part 3
Anton Arensky 6 Essais Sur Des Rythmes Oubliés, Op.28
Alfor kindly posted the second piece of the set, Péons, and No.1 Logaédes is at classicscore.
Does anyone have the other four pieces, especially No.6 Strophe Sapphique?
Thanks very much.
jeremy
Alfor kindly posted the second piece of the set, Péons, and No.1 Logaédes is at classicscore.
Does anyone have the other four pieces, especially No.6 Strophe Sapphique?
Thanks very much.
jeremy
- mballan
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Re: Russian & Soviet Composers - Part 3
Hi Jeremyremy wrote:Anton Arensky 6 Essais Sur Des Rythmes Oubliés, Op.28
Alfor kindly posted the second piece of the set, Péons, and No.1 Logaédes is at classicscore.
Does anyone have the other four pieces, especially No.6 Strophe Sapphique?
Thanks very much.
jeremy
I do have the full set of Op 28 but I am in the throws of selling my house and much of my music is currently in storage and difficult to access [but I'll check to see if I can locate my Arensky collection]. I can scan this at some stage if not urgent [unless someone else kindly manages to post this score in the meantime]. I will also check with Peter [Mr P] as I may have shared a copy with him.
Malcolm