Thank you very much to all "supporters" of my thread, especially fleubis, Frank, Ferruccio and Dani!
Finally a new soviet composer:
Ėta (Ėdzi) Mayseyewna TYRMAND***
Suite (Esquisse, Scherzo, Aria, Burlesca)
Excellent (french influence!)...and new to Malcolm
Tyrmand Suita cover.pdf
Tyrmand Suita.pdf
Posted as an example of the piano style of this Polish/French composer:
Alexandre TANSMAN
Recueil de Mazurkas (vol. 1 out of 4 vols.)
while many of his works are too "patternal" IMHO, these Mazurkas are excellent
and may duly be considered his best piano work!
Tansman Mazurkas vol.1.pdf
P.S. will provide the missing Vainiunas page.
***Tyrmand, Ėta (Ėdzi) Mayseyewna
(b Warsaw, 23 Feb 1917). Belarusian composer. She completed her studies at the teaching and choral faculty of the Warsaw Higher School (1938) where she also studied the piano. After the occupation of Warsaw in 1939 she fled to Minsk and entered the conservatory there. During the war years she worked as an accompanist for the Kyrgyz Theatre of Opera and Ballet in Frunze, and later graduated from the National Conservatory, Minsk, in the piano class of G.I. Shershevsky (1949) and the composition class of A.V. Bahatïrow (1952). In 1949 she began teaching the piano and ran a class for accompanists at the Belarusian State Academy of Music. Her music is emotionally vivid, dynamic and virtuoso in style. Such works as the piano concertos, sonatas, suites and toccatas are characterized by decorativeness and textural detail, as well as an improvisatory manner and free form. The use of chromatic tonality, a reliance on the Belarusian song style and a tendency towards ornamentation inspired by the sounds of the natural world all give distinctiveness, harmonic freshness and a concertante brilliance to her works for violin and piano and for cimbalom and piano (in which she comes close to the traditions of Bartók and Szymanowski). Her vocal works are vividly expressive and national in character. The lively speech-like intonation and the picturesque cast of her instrumental pieces and songs about children (to poems by V. Shumilin and Vladimir Levin) are ingenious.
WORKS
vocal
Choral orch: Partiya vedyot k kommunizmu [The Party Leads to Communism] (trad.), 1951; Ya Lenyna pyayu
(cant., A. Aleksandrovich), 1969Chorus: Suite (Ye. Ognetsvet), children's choir, 1956; choruses (M. Bogdanovich, A. Deruzhinsky, Ya. Kolas, E. Meželaitis, M. Tank, P. Trus)Songs (1v, pf): 3 balladï [3 Ballads] (B. Dadié), 1963; Zemnoye prityazheniye [Terrestrial Attraction] (Tank), song cycle, 1966; song cycle (F. García Lorca) 1975; Detskiy tsikl [A Cycle for Children] (V. Shumilin), 1977; Mister Kvakli i dr. [Mr Quickly and Others] (V. Levin), song cycle, 1980
Arrs. of Belarusian and Polish folksongs for 1v, pf for chorus
instrumental
Orch: Pf Conc., 1952; Pol'skiye napevï [Polish Tunes], fantasy, orch of Belarusian folk insts, 1952; Pf Conc. no.2, 1956Chbr and solo inst: Scherzo, vn, pf, 1949; Sonata, vn, pf, 1950; Improvizatsiya i tanets [Improvisation and Dance], vn, pf, 1957; Sonata, va, pf, 1967, rev. for vn, pf; Ėstradnaya p'yesa [Variety Stage Piece], tpt, pf, 1961; Scherzo, cimb, pf, 1969; Kontsertnïy val's [Concert Waltz], cimb, pf, 1970; 2 p'yesa [2 Pieces], cimb, pf, 1974; Poėma, vn, pf, 1982; Tema s variatsiyami [Theme and Variations], trbn, pf, 1988; Ballada-fantaziya, vc, pf, 1989Pf: 5 Preludes, 1948; Variations, 1950; Variations (on a Belarusian folk theme), 1951; Stsenki iz detskoy zhizni [Scenes from the Lives of Children], suite, 1953; Sonatina, 1954; Pionyorskaya syuita [Pioneer Suite], 1962; Toccata, 1962; Suite [no.2], 1963; Ėtyudï-kartinki (Etudes-tableaux), 2 bks, 1971–2; Chetïre nastroyeniya [Four Moods], suite, 1973; Suite [no.4], 1975You do not have the required permissions to view the files attached to this post.
) In contrast the Daniel-Lesur Ballade overcomes a brooding melancholy to blossom into extreme beauty. What a find you have in this one. And late...1950!! 
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