Re: School of Syncopation - Jazz, Stride, Novelties & the Like.
Posted: Mon Jun 13, 2011 5:26 pm
Hi tobyjj,
Thanks for your comments and also for the Mayerl uploads. I would have thought that between myself and Mr. P we had completed all the Mayerl postings a long time back, but in checking my files for the .pdfs I can't find the ones you posted! So maybe they weren't posted originally. I have the sheets and can't understand how that might have been overlooked. Thanks for posting. Also on the Mayerl transcriptions...this is one area that is huge and will take a lot of work. I'm still recovering from the Fischer postings (and there are plenty more German novelty people to post as well). But I'll do what I can to mix in some Mayerl as well.
On "Hop Skip and Jump" I know it was a duplicate posting. I thought the cover art of the original single sheet music would be of some interest. In playing it, I'd say as fast as possible! I would make note of the fact that in the first two measures of theme #1 there are quarter note rests where you'd normally play a fourth beat. This is key to making the piece work, in fact it might be this abrupt stop and start again that inspired the title.
All Best,
Frank
Thanks for your comments and also for the Mayerl uploads. I would have thought that between myself and Mr. P we had completed all the Mayerl postings a long time back, but in checking my files for the .pdfs I can't find the ones you posted! So maybe they weren't posted originally. I have the sheets and can't understand how that might have been overlooked. Thanks for posting. Also on the Mayerl transcriptions...this is one area that is huge and will take a lot of work. I'm still recovering from the Fischer postings (and there are plenty more German novelty people to post as well). But I'll do what I can to mix in some Mayerl as well.
On "Hop Skip and Jump" I know it was a duplicate posting. I thought the cover art of the original single sheet music would be of some interest. In playing it, I'd say as fast as possible! I would make note of the fact that in the first two measures of theme #1 there are quarter note rests where you'd normally play a fourth beat. This is key to making the piece work, in fact it might be this abrupt stop and start again that inspired the title.
All Best,
Frank
