Pianophilia

mballan wrote:Out of interest - and my mistake - I had seen Op 27a by Feinberg, this work was included in a posting by Alfor in the "Anthology of Soviet Piano Music – Vol 2" ]part A] - this gives all three pieces from Op 27a including the missing Tatar Song [teach me to check my Russian Album's in future].

Yes FredB, Musicology is very much alive and thriving in PP So many riches are posted on PP it is hard to keep track of them all.

Malcolm

...I am quite ashamed of myself for overlooking that op. 27a is both on my shelves and in my collection of electronic files (page 25 et seq.):

Igor STRAVINSKY
Petrushka (good solo piano arr. of medium difficulty by M. Mirkine and S. Pavtchinsky) Xaver SCHARWENKA
Zwei lustige Stücke op. 87

... thank you to all of you for so generously sharing these rare materials ... and one more question about feinberg's works: has anybody seen, acquired and perhaps even uploaded op.33 (tale & procession) and/or op.45 (rhapsody on kabardino-balkarian themes)? there also seems to be a recording of the latter piece (Melodii︠a︡: 33D-12851?) but I have been unable to track it down ...

many thanks,

vvedenskij

Do you know the most unusual tempo indication in all music?

"Tempo di Großfater" (sic!)

Dance music from classical ballets
interesting anthology: Tchaikovsky, Glazunov, Peter Ludwig Hertel, Minkus, Asafiev, Krein, Prokofiev, Khatchaturyan, Yarulin, Karayev, Shchedrin Heinrich NEAL (obscure German-American composer, 1870-1940; http://en.wikipedia.org/wiki/Heinrich_Neal)
Deutsche Rhapsodie No. 2 op. 47 Studie (trill and double-note study; some Liszt influence)

Carl Philipp Emanuel BACH Album
edited by Elisabeth Caland , major representative of the once famous Deppe-Caland method, which in a contemporary way is presented by Elgin Roth (http://www.nmz.de/artikel/elgin-roth-er ... euem-leben)
Valuable hints for interpretation (in German only!) ...PIRUMOV Concerto-Variations for piano and orchestra...

TREIZE DANSES
Excellent collection of modern dances by French (or french-influenced) composers
Yes, yes, yes, old J.S. DID sing the Blues!!!
DIN A3 (for DIN A4 print at 71%) ...Eugene GOOSSENS Phantasy Concerto (op. 60) for Piano & Orchestra...

Posted as an example for the piano style of this (nearly) forgotten British composer (of German birth):
Franz REIZENSTEIN
Twelve Preludes and Fugues Book I
Excellent ("Reiz"voll)!! A "Ludus tonalis" with diminished dullness (sorry, Sir Paul ) Scandinavia - terra incognita?!
Posted as an example of the piano style of this unknown Danish composer:
Flemming WEIS
Suite for Klaver
Hymne Arabeske Elegie Finale Got it finally, so you have to comment on it, dear Ferruccio (Pardon wird nicht gewährt!).

alfor wrote:Posted as an example for the piano style of this (nearly) forgotten British composer (of German birth):
Franz REIZENSTEIN
Twelve Preludes and Fugues Book I
Excellent ("Reiz"voll)!! A "Ludus tonalis" with diminished dullness (sorry, Sir Paul )

Reizenstein 12 Prel. & F. Book I.pdf

Scandinavia - terra incognita?!
Posted as an example of the piano style of this unknown Danish composer:
Flemming WEIS
Suite for Klaver
Hymne Arabeske Elegie Finale

Weis Suite for Klaver.pdf

Got it finally, so you have to comment on it, dear Ferruccio (Pardon wird nicht gewährt!).

Thank you so much, especially for Reizenstein! As I started to see I could not play the majority of things posted here by you, I made the decision of playing only the most known composers, and so, I give a little more value to composers like Reizenstein, who in this case, is not so known at all...
Can I ask if there's a slight chance you can find more of Alwyn Fantasy Waltzes? ...

Dani_area_51 wrote:Can I ask if there's a slight chance you can find more of Alwyn Fantasy Waltzes? ...

Please ask Malcolm if he gives his permission -then I will post the complete Fantasy-Waltzes.

alfor wrote:Posted as an example for the piano style of this (nearly) forgotten British composer (of German birth):
Franz REIZENSTEIN

No afficionado of Gerard Hoffnung will ever be allowed to forget Franz Reizenstein...

Regards
Fred