Iberia: Piano Music from Spain & Portugal
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Re: Iberia: Piano Music from Spain & Portugal
Unfortunately not.
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Re: Iberia: Piano Music from Spain & Portugal
Fulfilling my own request!kroket wrote:Request Antonio Fragoso Nocturne no. 1 in bes minor.
Greetings,
kroket
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Re: Iberia: Piano Music from Spain & Portugal
Thank you for that, kroket.
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Re: Iberia: Piano Music from Spain & Portugal
Thank you korket, seems I've just enough fingers to not need the violin.
And a belated thanks to Alfor for the Albeniz "Polo" fingering -- happily very close to my own for once. Don't know how I missed this.
And a belated thanks to Alfor for the Albeniz "Polo" fingering -- happily very close to my own for once. Don't know how I missed this.
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Re: Iberia: Piano Music from Spain & Portugal
¿Quieres mas?fleubis wrote:And a belated thanks to Alfor for the Albeniz "Polo" fingering -- happily very close to my own for once. Don't know how I missed this.
Best regards, Alfor S. Cans
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
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Re: Iberia: Piano Music from Spain & Portugal
Alfred, perhaps you might like to take a look at Lavapiés--this is a piece I've been working on for years and I doubt I'll ever get it right. Madame de Larocca's performance of this piece is so clearly embedded in my mind, my wishful thinking is that I'm playing it that way (Ha!). I have found quite satisfactory the Pérez edition published by the Albeniz Foundation. Not incidentally, I really like the pedaling indications in this edition. I would be interested if you have any alternative suggestions to the rather good fingering therein.
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Re: Iberia: Piano Music from Spain & Portugal
...oh, yes, Larrocca...we call her Larrocha...fleubis wrote:Alfred, perhaps you might like to take a look at Lavapiés--this is a piece I've been working on for years and I doubt I'll ever get it right. Madame de Larocca's performance of this piece is so clearly embedded in my mind, my wishful thinking is that I'm playing it that way (Ha!). I have found quite satisfactory the Pérez edition published by the Albeniz Foundation. Not incidentally, I really like the pedaling indications in this edition. I would be interested if you have any alternative suggestions to the rather good fingering therein.
Isaac ALBENIZ
Lavapies
alfor fingered
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Best regards, Alfor S. Cans
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
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Re: Iberia: Piano Music from Spain & Portugal
Nice work on Lavapiés, Alfred. Just on the first page I´m finding some useful suggestions--particularly in the division notes between hands . Alas, I cannot recall how Larrocha fubgered this after some 40 years but it must have been something like this as her hands are even a bit smaller than mine. This piece looks a lot easier on paper than it really is. Please pardon on lazy Larrocha spelling' -- at my age I tend to get my languages mixed up. 

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Re: Iberia: Piano Music from Spain & Portugal
fleubis wrote:Nice work on Lavapiés, Alfred. Just on the first page I´m finding some useful suggestions--particularly in the division notes between hands . Alas, I cannot recall how Larrocha fubgered this after some 40 years but it must have been something like this as her hands are even a bit smaller than mine. This piece looks a lot easier on paper than it really is. Please pardon on lazy Larrocha spelling' -- at my age I tend to get my languages mixed up.
Thank you for feedback, dear fleubis.
...she was indeed a „Rock“...pianistically...
Best regards, Alfor S. Cans
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
Music is a higher revelation than wisdom and philosophy (Beethoven)
http://www.mediafire.com/alfor
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Re: Iberia: Piano Music from Spain & Portugal
Antoni Noguera Balaguer (City of Palma, 1860-1904) was a renowned composer, musician, musicologist and music critic, who became a key player in the evolution of musical culture in Mallorca at the end of the 19th century. He is considered one of the fathers of Mallorcan musical nationalism.
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Quo melius Illac