Re: Music of the Caucasus [Armenia, Azerbaijan, Georgia etc.
Posted: Thu Mar 21, 2013 3:21 am
As seen elsewhere on this forum, this composer literally wrote the textbook on polyphonic music for the Armenian music community, a volume that pulls a huge amount of examples out of her own country's composers. Here is her own cycle of compositions exploring that territory, while keeping one foot in Armenian folk traditions:
The author's note on the first book translates to:
'When I created my cycle of preludes and fugues, one of my main goals was to draw attention to the modes of Armenian music and their hidden expressive power. The appeal of folk music modes to composers of the modern era is of particular importance, acting as a counter to the modernist tendency towards the destruction of modal foundations. The cycle is all original material with the exceptions of Fugue III, based on the theme from the second part of the Armenian folk song 'Zagormin' ('Mercy'), and Fugue V, which is the main theme of a folk-dance tune 'Chem i chem' ('I cannot'). To facilitate the analysis of all the fugues, they are marked with appropriate symbols.
LEGEND:
T - main theme
(upside down T) - theme in circulation (protivodvizhenii)
(sideways T) - theme in the return (rakokhodnom) motion
(outlined T) - theme increased'
The notes on the second volume are largely the same, except some of the themes in the later set come from different sources, including a play on the B-A-C-H and D-Es-C-H themes of Bach and Shostakovich.
Gayane Moiseyevna CHEBOTARYAN
Preludes and Fugues (12) on Armenian modes, for piano (1984-86)
The author's note on the first book translates to:
'When I created my cycle of preludes and fugues, one of my main goals was to draw attention to the modes of Armenian music and their hidden expressive power. The appeal of folk music modes to composers of the modern era is of particular importance, acting as a counter to the modernist tendency towards the destruction of modal foundations. The cycle is all original material with the exceptions of Fugue III, based on the theme from the second part of the Armenian folk song 'Zagormin' ('Mercy'), and Fugue V, which is the main theme of a folk-dance tune 'Chem i chem' ('I cannot'). To facilitate the analysis of all the fugues, they are marked with appropriate symbols.
LEGEND:
T - main theme
(upside down T) - theme in circulation (protivodvizhenii)
(sideways T) - theme in the return (rakokhodnom) motion
(outlined T) - theme increased'
The notes on the second volume are largely the same, except some of the themes in the later set come from different sources, including a play on the B-A-C-H and D-Es-C-H themes of Bach and Shostakovich.
Gayane Moiseyevna CHEBOTARYAN
Preludes and Fugues (12) on Armenian modes, for piano (1984-86)